WHEN PILGRIMAGE FEELS EMPTY — AND WHAT IT TEACHES US We travel miles believing that somewhere, at the end of the journey, a moment is waiting for us—a moment of stillness, of connection, of something deeply divine. I set out on such a journey through Kashi, Banaras, Hanumangarhi, and Ayodhya. These are not just places; they are living centres of faith. I went with a simple intention—to be present, to feel, to connect. But the experience was not what I had imagined. In Kashi, devotion was everywhere, yet the experience felt rushed. The crowd moved relentlessly, leaving no space to pause. There was no stillness—only a fleeting glimpse, a few seconds, and then you were carried forward. I saw the deity, but I could not stay with the moment. And without that pause, the connection felt incomplete. At Hanumangarhi, even with a more structured entry, the space became overwhelming. The crowd pressed in, and instead of feeling devotion, there was discomfort—almost suffocation. Fa...
Still Alive — But at What Cost? I recently watched Still Alive by Samay Raina. My first encounter with his work had been through India’s Got Latent, and I remember feeling distinctly out of place. Perhaps it was the generation gap, but the excessive use of foul language and the overall tone did not sit well with me. It felt uncomfortable, almost jarring. Yet, I couldn’t ignore the fact that the younger audience seemed to thoroughly enjoy it—drawn to its raw, unfiltered humour. On repeated recommendations, and in the backdrop of the controversy surrounding his show, I decided to give Still Alive a fair chance. What I discovered surprised me. Beyond the language—which I still find difficult to fully accept—there were thoughts that lingered long after the performance ended. One of the most striking ideas was the undeniable importance of connections in a country like India. While talent and hard work matter, networks often open doors that effort alone cannot. It’s a reality we may not...